In my quest to learn about my biological great-grandfather Zygonia Ray Shearer (who understandably went by the name “Ray”), I’ve written several posts over the past couple of years (see here, here, here, and here). Despite my investigative digging, I still know almost nothing about who Ray was as a person. Today’s post won’t shed much light on Ray, but it will help understand how his son—my grandfather, Vernon C. Black—dealt with the death of his father.
As I have a good amount of extra time on my hands on account of the mandatory shelter in place orders stemming from the coronavirus pandemic (I still have to work from home, but I save over two hours of commute time per day), I’ve decided to start digging through the family history letters and postcards I’ve digitized but not yet written up. There’s a goldmine of information in this correspondence.
Today’s post is about one of these initially overlooked letters—actually two letters. These letters are from just before Christmas 1937. Vernon was 21 years old and had apparently borrowed money from his mother to strike out on his own, traveling across the western U.S. to find work and his future. Shortly before he wrote these letters he landed a door-to-door magazine sales job that I’ll discuss in a later post.
Today’s post is not only about a new mystery photo I just discovered. It’s also a reminder to double-check anything possibly related to family history before throwing it out. You never know what might be hiding within unless you check thoroughly.
From about the mid 1970s to the late 1980s, my father and grandparents accumulated a number of faux vintage photos and frames. I don’t know whether they were fans of the style or whether that’s just the way that the stores they frequented marketed their frames. In any case, they accumulated piles of these that I later inherited and am still going through.
What I mean by ‘faux vintage’ are generally stained and sometimes artificially distressed oak frames with matted black-and-white or sepia-toned prints behind glass. And to add a layer of realism, my grandmother and father were both heavy smokers for periods of their lives, so the glass and frames were coated with a nicotine patina that made them look like they had been hanging in an old house for decades. But when you turn over these faux vintage frames, their modernity becomes a little more apparent. Relatively clean cardboard is held in place by shiny staples that were hastily and asymmetrically placed during mass production. Remove the cardboard and you find that the antique print is just a modern print on thin, glossy paper.
In a recent post, I shared photos from two trips to Kansas in the mid-1950s that my grandparents Vernon Black and Dorothy (McMurry) Black made with their kids, Keith and Gary. In today’s post, I’ll be sharing some photos I just discovered of a much earlier trip back to see Vernon’s family, a trip taken in 1941.
This morning I was going through an old photo album that my grandmother Dorothy (McMurry) Black put together in the early 1940s. I had quickly skimmed through it a few years back and made a mental note that it was a photo album of their wedding and of their newborn son Keith. When I went through it today, page by page, I discovered that, sandwiched between the pages devoted to those two events, there were several other “chapters,” each documenting an adventure of the newlywed couple.
One of these adventures was their cross-country road trip back to Kansas in May, 1941. They had been married for about five months, and this may have been the first time that Dorothy got to meet Vernon’s family. It was certainly the first time she saw where he had grown up.