Anora (“Anna”, “Annie”) (Lee) (Horan) Prettyman (1847–1892) was my 3rd-great-grandmother and she has been something of an enigma to all recent researchers—myself included—who have tried to discover who she was and where she came from.
Thanks to new information I’ve gotten from a handful of newly discovered cousins, I think I’ve got a much better handle on Anora. While there are still large gaps and unknowns in her story, I’ve revised so much of her history that a new post is warranted. Most notably, I had the misidentified her parents (there were two girls named Anora/Anna/Annie Lee born in Indiana at the same time, and I was tracking the wrong one) and I got some details of her early years wrong.
I’d like to thank my newly discovered cousins Lorna, Suzette, and Michael for sharing what they know about our shared Prettyman ancestors as well as Anora’s first husband, William Horan. I’d like to give special recognition to Lorna for responsibly caring for, recording, and organizing so much Horan and Prettyman history and photos. Without her and her late father’s impressive memory, many of the details of Anora’s life would have been lost forever. Continue reading →
This post is a continuation of a post I wrote yesterday on a series of three oil paintings that are said to have been painted by my 3rd-great-grandmother, Elizabeth Miller McMurry (1828–1876). In today’s post, I’ll be taking a closer look at one of the paintings (the pastoral scene with boy and cattle), and looking for hints as to the date(s) and settings of the paintings.
My grandmother’s first cousin, Art McMurry, the owner of the paintings until his death twenty years ago, said that they were painted by Elizabeth while she and her husband were traveling west by wagon. If true, these canvases would have been painted at some point between Elizabeth and Luke’s marriage in 1851 and Elizabeth’s death in 1876. She never made it further west than Arkansas, but her family later reached the area near Olympia, Washington. From what I can tell from the images I currently have available, nothing about the paintings or their mounting and framing is inconsistent with dating from the mid-to-late nineteenth century. Continue reading →
I’ve written about my more recent immigrant ancestors’ migrations from Norway in 1850 (and I’ve got an upcoming post on the Askew migration from England in 1875), but most of my ancestors have been on this continent for 300+ years, and as of yet I know little, if anything, about most of their journeys to the New World.
During the same time period (mid-to-late-1800s) that my more recent immigrant ancestors were sailing to the U.S., many of my longer-established ancestors were forging their way across the continent in search of new homes in the West. Today’s post gives some details of my research into the story of one such journey across the continent—that of my 3rd-great-grandfather Luke R. McMurry and his family.