Today’s post is about a letter that James Miller McMurry wrote to his “Grands”—presumably his grandnephew Arthur (Art) and Art’s wife Ezelpha. I received a photocopy of this letter from my grandmother, Dorothy Ruth McMurry Black—Arthur’s first cousin. I saw the original letter in 1990 when visiting Art, and I’m hoping someone in the family still has this letter.
I hadn’t read this letter in over 25 years, and upon re-reading it I discovered a bounty of new information: I learned of another two relatives who fought in the Civil War, including one who possibly died at Shiloh. I realized that the recipient was my cousin Arthur Edgar McMurry, not my great-great-grandfather Arthur Webster McMurry. I learned a bit about James McMurry’s wife Grace Aitken and her life before she and James met. I learned a bit more about the timing of the McMurry’s move to Arkansas, and the location of their land there. I got a bit of description of the area around James’ last home, in Sutter County, California. I also learned a bit more about James’ adopted son and his latest sailing voyage. Continue reading
In part one and part two of this post, I introduced and discussed a trio of oil paintings that I had last seen back in the 1990s. These paintings were reportedly done by my great-great-great-grandmother, Elizabeth Miller McMurry, who died near Carlisle, Arkansas, on February 6, 1876, when she was only 47 years old. I was told by my first cousin twice removed, Art McMurry, the owner of the paintings at that time, that they were painted by Elizabeth while she and her husband were traveling west by wagon. If that were indeed the case, then these canvases would have been painted at some point between Elizabeth and Luke’s marriage in 1851 and Elizabeth’s death in 1876.
Last month I traveled to Olympia, Washington, to see my father and do some family history research. Thanks to the help of my cousin Crystal (Art’s great-granddaughter), a fellow family historian, I was able to locate and visit two of the three paintings. These two—the pastoral scene and the still life with flowers—were in the home of Crystal’s grandmother Carole (Art’s daughter). The last time I had viewed the paintings, the rain had prevented me from being able to take good photos of the paintings. For the five days I had been in Washington before meeting with Crystal and Carole, the weather had been mild and clear. On the day I was to meet Crystal and drive out to her grandmother’s house, the sky opened up and we had torrential rain as well as thunder and lightening; even the locals were surprised by the volume of the downpour.
This post is a continuation of a post I wrote yesterday on a series of three oil paintings that are said to have been painted by my 3rd-great-grandmother, Elizabeth Miller McMurry (1828–1876). In today’s post, I’ll be taking a closer look at one of the paintings (the pastoral scene with boy and cattle), and looking for hints as to the date(s) and settings of the paintings.
My grandmother’s first cousin, Art McMurry, the owner of the paintings until his death twenty years ago, said that they were painted by Elizabeth while she and her husband were traveling west by wagon. If true, these canvases would have been painted at some point between Elizabeth and Luke’s marriage in 1851 and Elizabeth’s death in 1876. She never made it further west than Arkansas, but her family later reached the area near Olympia, Washington. From what I can tell from the images I currently have available, nothing about the paintings or their mounting and framing is inconsistent with dating from the mid-to-late nineteenth century. Continue reading