Category Archives: 1920s

Clyde installing rural electric lines

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Clyde Askew, my great-grandfather, was a hard-working man. According to my grandmother, he could do pretty much every kind of work and was always working to support his family of five children. So far, I’ve heard stories and/or found evidence of his work as a machinist, a road-builder, a road maintainer, a hobo-chaser for a railroad, a fireman, a lumberjack, and a teamster for lumberjacks.

Today I found evidence of another job he did—helping install rural electric power lines. I found three photographs among my grandmother’s old photographs that appear to have been taken at the same work site at nearly the same time. There is no information inscribed on the back, so I’ll have to rely on details contained in the photos for hints as to where and when the photo was taken. [Note to relatives: People. Come on. Would it kill you to write some basic info on the backs of some of your photos?]
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C.A. Prettyman, barber and singer, part 2

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Rockwell_1936_QuartetIn my first post on this topic, I wrote that my uncle Dan told me about two songs that he thought my great-grandfather, Charles Austin (C.A.) Prettyman, had written. Yesterday, after a little more digging, Dan learned that while his father (C.A.’s son) referred to these songs as “Charlie’s songs,” it was apparently because he (C.A.) sang them so much, not because he had written the songs.

Dan did a little research and discovered that “Saloon, Saloon, Saloon” was written in 1919, and that “Say Cuspidor was a barbershop take on another song called ‘Say au revoir but not good-bye‘”.

While that’s a bit disappointing, knowing the actual historical facts is ultimately more satisfying than believing in a history that never happened. So for today’s post, I’ll pass along what my uncle learned of these songs as well as some other bits I dug up.

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C.A. Prettyman, barber and singer, part 1

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Rockwell_1936_QuartetMy uncle Dan surprised me with a wonderful historical tidbit about my great-grandfather, Charles Austin (C.A.) Prettyman. In addition to being a barber as a young man (read more here), he was apparently also a talented singer and a songwriter. And what’s more, at least two of the songs he wrote survive today in the memory of my uncle.

My uncle is a talented musician with a great voice, and his father before him was also musically gifted, having sung throughout his life including, my uncle tells me, being part of a barbershop quartet. It makes me wonder if C.A. was also in a barbershop quartet, and just how far back this Prettyman musical talent extends. Did it start with C.A., or was C.A. continuing a tradition that his father, Alfred Minus Prettyman, passed to him?

My uncle is planning to record these two songs for me, and he’s just sent me the words to Charlie’s two songs. I’d like to share those with you.

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The Prettyman barbershop, part 2

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2013-07-21 scans002 (1)I introduced the Prettyman barbershop in yesterday’s last post. The four Prettyman brothers—Roy, Irvin, Charles, and Clarence—appear to have worked in and managed a barbershop in Wadena, Minnesota, from the 1910s through at least the early 1920s. Yesterday I presented what I thought were the only two photos I had of the barbershop, asking my readers to help me identify the men in the photographs and to discover what other details could be learned about the barbershop, including its location.

Since that post, I’ve discovered that I actually have a scan of another photo of the barbershop, plus scans of the back of these photos, which contain helpful information recorded by the Wadena Area Historical Society. As a result, I now know where the barbershop was located—110 Jefferson Street South in Wadena.

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The Prettyman barbershop, part 1

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2013-07-21 scans002 (1)My great-grandfather, Charles Austin Prettyman, and his three brothers ran a barbershop in Wadena, Minnesota in the 1910s through at least the early 1920s. All four Prettyman boys were involved with the barbershop—Roy, Irvin, Charles, and Clarence. In fact, when my grandfather, William Prettyman, was born in 1919, his father’s profession was listed on the birth certificate as “barber.”

I’ve found two photos of the barbershop, but because I don’t know who is who in these photos, I’m hoping my Prettyman relations out there can help me sort that out.

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Those magnificent men in their flying machines

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Danas painting - Version 2Another day, another bit of serendipity. This one comes via my newly met second cousin, once-removed, Dana. I don’t believe I’ve ever actually met her (yet), but my uncle mentioned my blog to her (thanks, Dan!) and our common interest in family history quickly became apparent.

Dana’s father and my grandfather were brothers. Dana saw my posts about my grandfather on a pony (next to her father on his bicycle), and my grandfather in his dog-powered cart, and they made her think of a photo she had of the Prettyman boys in their homemade airplane. She sent that photo along to me, along with a painting she did of the photo.

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Clyde Askew’s autograph book

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Front coverAmong the items that document our family history is this autograph album that belonged—at least at one time—to Clyde L. Askew (1896–1967). The author(s)/owner(s) of the album are not easy to determine, as entries appear to have been made during at least three different time periods. The first period is probably around the turn of the century, perhaps 1897–1900. At this time, a young child drew in the album.

The second period of the album’s life is comes in 1907, when Clyde gives the book to his aunt Fanny, doing so with an inscription. A possible third period is in 1927, when Ed Young added his name to the album. The fourth period comes decades later (possibly in 1955), after the book had been stored away for some time and then was rediscovered. The (presumed) wife of the finder then writes a letter to Clyde across two of the pages of the book, and another letter across eight additional pages of the book.

In this post, I’ve tried to see what I could learn about the author(s) and the recipient(s) of the notes contained within this wonderful album, but several questions were left unanswered because I don’t have all the facts. I’m hoping that one/some of you will be able to help me with some of these unknowns, so at the end of this post I’ve posed a list of questions that I’m hoping you can help me answer. Continue reading →

A Death Greatly Exaggerated, part 3

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Warning—the conclusion of this post is now known to be incorrect.  See the “He’s dead, Jim (or, Down a blind alley)” post for details.

In part 1 of this story, I explained how my inherited last name should have been “Scherer” or “Shearer,” but my grandfather, Vernon, refused to use that surname because his birth father, Zyonia Ray Shearer, abandoned him and his family when Vernon was only 4 or 5 years old. But then I looked briefly at Zyonia’s (Ray’s) childhood and found that he, too, had lost his father when he was only 4 or 5 years old. Family tradition held that Ray’s father, Gilbert Michael Scherer, died shortly before 1900 due to traumatic injuries he sustained in an accident:

“Gilbert Shearer was building a home in Missouri.  He was working on the roof when he fell off across a tree stump, bursting his abdomen open.  He fell from his house while shingling his roof.  He was taken to a sanatorium, but died four days later. He was buried in Edmond Cemetery, 4 miles north of Powersville, MO.”

In part 2 of this story, I introduced Gilbert Michael Scherer and his wife Mary Belle (Coddington) Scherer, and tried to present everything I know (or thought I knew) about Gilbert, his short life, and his death. At the end of part 2, I presented the first piece of evidence that Gilbert was still alive long after his supposed death.

In this third and final installment, I’ll make the case for Gilbert not having died when, where, or how the family tradition maintains he died.

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Bill Prettyman and his dog-powered cart

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Today’s post is about an artifact that tells a charming story about another artifact—one made by my great-grandfather, C. A. Prettyman, for his son (my grandfather), William Prettyman.

This will be a story about a business card. Rather, it’ll be about the stories that the business card tells. The business card is that of my great grandfather Charles Austin Prettyman (who went by the initials “C. A.”). The first story is about the life my great grandfather was leading during the time he was actively using this kind of business card. The second story is about a magical moment that happened about 15–20 years earlier. Continue reading →

Clyde Askew, teamster for the lumberjacks

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Among the photos I got from my grandmother earlier this month were two images of Clyde Askew and his uncle Samuel Askew at work in the lumber industry. Both images were taken in the winter of 1921, and both images were taken in Cass Lake, Minnesota, a thriving logging town in northern central Minnesota. A century ago, logging in Minnesota—especially in the wintertime—was an undertaking that was strikingly different from logging in more temperate climes. Continue reading →